ARMAGEDDON 2.5 come back to the bassline roots !!!
Event information:
Description détaillée:
line up :
THE HACKER (Zone Records/ FR.)
MILLIMETRIC dj set (Fr.)
HIV+ dj set & guest live (Fr.)
MODULECROWN dj set (Barcelona/Spain)
tickets : 11 euros
only about 110 entrance limited.
>>>>>>> ATTENTION : NO SHIT MUSIC JUST EBM !!<<<<<<<<
Electronic body music (EBM) or industrial dance is a music genre that combines elements of industrial music and electronic dance music.
It first came to prominence in Belgium.
Emerging in the early 1980s, the genre's early influences range from industrial music (Throbbing Gristle, Cabaret Voltaire), European synthpunk (DAF, Liaisons Dangereuses, Portion Control), and electronic music (Kraftwerk).
From its inception, the style has been characterized by hard and often sparse danceable electronic beats, clear undistorted vocals, shouts or growls with reverberation and echo effects, and repetitive sequencer lines. At the time the genre arose, important synthesizers were the Korg MS-20, Emulator II, Oberheim Matrix and Yamaha DX7. Typical EBM rhythms are based on 4/4 beats, mainly with some minor syncopation to suggest a rock music rhythm structure.
---------------------------- History 1978–1987 ------------------------------
The term electronic body music was coined by Ralf Hütter of the German electronic band Kraftwerk in 1978 to explain the more physical sound of their album The Man-Machine.
DAF from Germany used the term "Körpermusik" (body music) to describe their danceable electronic punk sound.
The term was later used in by Belgian band Front 242 in 1984 to describe the music of their EP of that year, No Comment.
Front 242 characterized their approach as falling between Throbbing Gristle and Kraftwerk.
Nitzer Ebb, influenced by DAF and Cabaret Voltaire, followed soon after.
Groups from this era often applied socialist realist aesthetics, with ironic intent. Other prominent groups include Die Krupps à;GRUMH... and A Split-Second.